VATAN

by nēkajun

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1.
Getme, Getme 05:16
Gozlerin aldi meni Kamande saldi meni Getme, getme gel gözel yar Getme getme gel The forest quiet where’s its’ song Will it return? Derakhte zendegi poisoned The earth too dry to hold us here, But still we drink Whose water we stealing? Fires, we can’t control Life, holding the thin rope The borders rise Ancient homes fall The men in suits guarding their wall. Where are you from? she said this ground Then shot her down oh what a sound I see four leggeds waiting, for someone to open gates And secret seeds on earth that the heroes before placed Gozlerin aldi meni Kamande saldi meni Getme, getme gel gözel yar Getme getme gel
2.
It’s how the dam comes down and the salmon know the way Or the birds will always open the day Oh, can you take me to my place? I want to go back to those days Why’d they pull walls to our water Darya of my blood left dried up The birds don’t cycle there no more, I tried to bathe again, but I’m stinging my skin on your shore Oh, I don’t want to fall asleep in the bars they wove around me, I don’t want to pretend peace, When I can hear the ghosts churning How many wandered into places told around the corner was redemption broken hearts bowed to faulty prophets Give their names for a promise left ungiven? They let the people wait, With saviors at the gate And follow in the empty words What other choice would they make? When will life force them awake, Reckon with the futures they take If I broke the walls of this mirage Would they realize they stand on blood
3.
Mama is a bird who Flew over oceans to the beast Rivers cried her name and left her hair braided with seeds And baba ran away, Somewhere over mountains he lost his heart Any hint now tips him over The ones whom he never called, in graves across the world Starting a flood down his face Oh lost vatan, take them Remember, Oh wealth of this nation Are you freeing them? Are you freeing? The old man arrived but he couldn’t kiss my face Come back to where your roots grow Beyond the empires gates, Oh they’re the ones changing veins of lands we held so dear. And cut the calloused hands from where they buried their own raising again a home from this earth of bone Oh lost vatan, take me Remember, Oh wealth of this nation are you Freeing me are you freeing me? Oh, my homeland far away Oh in the loom we are woven, do we stay? Hours escape here Pour our sweat into lonely schemes The golden view of amrika Was never quite what it seemed.
4.
Crow Song 03:42
Mountains of bones we loved And whisper holy names with shackles in their palms Unpromised lands of olive and turtle shell Manifesting destinies with thorns in our wells, The state is burning temples now Prayers are up in flames with no rights to return Bani adam as aye yek digaran So where is the weaver in the throes of it all? War tech made crops grow tall But farmers getting poorer shipping food past the wall Who owns the seeds they sow? Oh, the barren earth that we once called home Pouring red to the face Of all things once free The salt escapes in the wind I just want to hold my babayi’s hand, but the acid seeps into the sea. So will you kiss your mother again on her face? Bow to her sweet waters give thanks for her grace Her soil made of loved ones who sing in your dreams To join them one day soon when you dissolve into the breeze And oh by god, with the force Of her thousand streams As they rush to flood what we’ve done Will we really know how to mourn this one Or keep forgetting until it's already done? But I can still hear the crow sing
5.
The wind was soft and palm fronds dancing, kissing the window you couldn’t cross — They banned you from a land whose skin didn’t match their own. Now, in the deportation room with the others, who only yearn to pray at the feet of their creator. Which prophet will come for us now, as yet another monster creates barricades around what is truly free? Christian tour groups pass by. Over and over they come with bright eyes. they’re from Kansas or Utah. They want to walk where White Jesus once walked. The security guard, who sits at the arbitrary entrance to this arbitrary room, smiles at them. You aren’t allowed to stand. The air is hot, and there are too many people here. The walls are plastered with images of places you will never get to visit. The banks of the dead sea, a plate of stolen foods they now call their own. The violence here is palpable. It is a hunger that hides in their mouths as they sneer at you. The girl next to you, she hadn’t seen her family since as a child her mother had concealed her, to duck under the olive trees and barbed wire. I could feel her flailing roots, they were like mine. Searching for home as they hung in the dry wind. Those orchards, she told me, had been burned now. But her grandfather was still there, terminally ill. “I just — wanted to try and see him”, she was in tears. The tears turned to heaving, and then she was in a panic. She made her way to the door, begging for help. “There are too many people.. I think I need a doctor..” The guards had been joking about something, they were relaxed, leaning against the wall, with their heads cocked sideways. They stared at her as if she’s interrupted the most private of conversations. “Sit back down”. They say, “I am shaking”, she replies. They laugh, ignore her for a little bit, and then she faints. One guard rolls his eyes and pulls her from the ground. Thrusting her onto a chair with a vengeance I couldn’t understand. As if her limp body contained everything he’s ever hated in this world. A paramedic comes, and the whole time, the guards are taunting her. Calling her childish, threatening to take her to jail for causing a scene. The violence here is palpable. You can feel it in the ways they sneer. There is no winning when the laws were built to cut you in half. Another man with no rights to return stands up in spite of it all, and passes chocolates around the room with a smile, “take one”, he offers with so much joy still in those eyes. This feels like home. Deportation. They’re selling makeup in the duty free. wine and chocolate bars from all over the world. Bright ads flash in unison on giant screens that surround your eyes for new settlements in an ancient town. They’re giving it a name in Hebrew. (You can find it on google maps starting next week). Happy settlers posing in their happy white and blue pools, and that flag made of the two. While they smile, another child is shot. The camera clicks the same moment the trigger pulls, so the models can’t hear a thing. Whose orchards were razed to build this throbbing heartache of a place? And that interrogator who spat at you: whose repurposed home does he reside in now? What village lays in rubble under the new forest at the border of his yard? Why was he so absolute that your feet may never touch this earth he calls promised? He clings to it with a story so flimsy, that only desperate violence can hold up its frayed edges. Because, for him to exist, Palestine cannot. His world is glossed in a lacquer of cement walls and barbed wire, of appropriated paradise. All scabs on something so ancient. But still the wind in the palms had been unphased, on the other side of that window. The leaves whispered sweet memories in a wind unbound by concrete fixtures and armed defenses. Dancing for a people whose hands calloused with a resistance they should never have had to bare, but whose hearts iron in the face of it. So you fly back, and you know it's all the same. Men with rifles slung over their shoulders guarding borders that defy all the four legged and winged migrations that have kissed the earth for so long before colonizers erected their entitlement. But by the men who shake hands, passing cash behind closed doors, they become the judges who shoot bullets that are never held to account, somehow they build monsters out of earth. Implanting scabs one at a time, until the whole world is stolen and the earth eroded and barren, and we’re caught in it still, searching for home. But really, who could grow roots in soil turned to dust?
6.
Didn’t Run 02:02
We didn’t run when the blue lights came for us But sat under the willow tree Weeping will you wait for us Cause we’re taken while we sleep I am a mocking bird on a blue day singing songs I heard long ago A nostalgia for a home that I may never, never know. We didn’t fall when they broke through the door But kept the flame that was rising our bread Our voices echoed in a child’s song Whispered sweet words instead And the metal that they tied on us, Couldn’t shackle the songs in our dreams, Every saint that disappeared in defending who they loved Will guide us while we sleep. Cause we’re stoking the sacred fire As they still know our name Even though we are tired Stoking the sacred flame
7.
Lying in the reeds of your sunset I am the dancer to your flute, Palms calloused and bathed in earth, That’s how they like to look Oh, that broken heart on your sleeve i just want to take care I would never tell And the rage inside your bones I just want to make space how the moon swells You’re the type that has butterflies landing on your shoulder, And the one whos singing in the streets to free the strangers you shattered this sinless love and in the river I met my eyes Saw I’ve loved too many times reaching past my skin but my wings won’t burn in the fire Learn and let go, love and let go
8.
Hungry Man 04:02
When will i know this body as my own again From this table they took too much. Hands of a hungry man still speaking over me, Why is my story still tied to his gaze? Ooh Their lies are old Ooh, Motherland told Ooh, The freedom they gave Ooh, Just a cast that breaks She couldn’t hold daughter closely Dread the mirror in her eyes, So the child grew with the scars on her back Passed down since the first man took Her skin as his own Don’t let her crawl back to the place he said She belonged. Ooh, Bless the woman Ooh, Who can’t discern her wings Ooh, Among the lies given Ooh, And other broken things Take me to the mountain where we’ll feel safe Take me to the river where we can bathe Take me to the ocean where we can pray So I’ll be free, So I’ll be love So I’ll remember where i came from
9.
Man in marble office Dropped a missile on our heads, He sits there laughing, With a coffee in his hands. Oh this America talk about big privilege, Those things you say on screens Throw your throne into the Trash picked by children and You are still arguing Canceling imperfect, Passport in your pocket. Their crimes put fear in us, With AJAX and Cointelpro. This isolation is a tactic Making ends meet on our own Selfish cultures have us posing in the glass Forgetting all life’s connected The visionaries died for this, Oh, what is this? Oh this America talk about ignorance, Fauna don’t know borders still you work in fortress, Best things in life were free til they put price tags on Clean water, air I breathe, lost life in the concrete.
10.
Undertow 03:15
Here it comes the undertow She waits until I’ve fallen Crawling into what I know To crack what’s been broken What is it to let go of the life we dreamed of living? Any moment she may come and there will be no more grasping. It could be now or in a thousand days Time comes and i’ll lose you either way Oh it's just the truth of loving who … is mortal Dust to dust that’s where we start Is it where we’ll be going? Cycle carries us all in the birth and the sinking Do we fall back into the arms of our creator? Please don’t let me end alone afraid of my soul’s taker My soul’s taker. Every night with open eyes Mulling over endings where we will all lie I long to know the songs to sing When my spirit lifts` from this body
11.
Stoking 01:46
Stoking the sacred fire As they still know our names Even though we are tired Stoking the sacred flame

credits

released August 27, 2023

Crow Song
Written by: Neeka Salmasi
Acoustic/Electric Guitar: Neeka Salmasi
Upright Bass: Jack Nissen
Oud: Ahmed M. Ragab
Drums: Cameron Wilson
Percussion: Mirza Madra, Jeremy Redford
Vocals: Neeka Salmasi
Recorded by: Matthew Girard (Duderstadt Center), Zachary Greer
Vocal Editing: Nick Girard
Vocal Production: Dave Greenspan
Digital Editing: Matthew Girard
Mix: Matthew Girard
Assistant Engineer(s): Palmer Stratton, Emelia Piane, Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero
Mix Assistant: Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero, Palmer Stratton, Ayden Williams
Recorded at: Duderstadt Audio Studios, University of Michigan
Mixed at: Duderstadt Audio Studios, University of Michigan

Oh, this America
Written by: Neeka Salmasi
Acoustic Guitar: Neeka Salmasi
Electric Guitar: Zachary Greer
Upright Bass: Jack Nissen
Oud: James Abud
Percussion: Palmer Stratton
Vocals: Neeka Salmasi
Recorded by: Matthew Girard (Duderstadt Center), Zachary Greer
Vocal Editing: Nick Girard
Digital Editing: Matthew Girard
Mix: Matthew Girard
Assistant Engineer(s): Palmer Stratton, Emelia Piane, Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero
Mix Assistant: Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero, Palmer Stratton, Ayden Williams
Recorded at: Duderstadt Audio Studios, University of Michigan
Mixed at: Duderstadt Audio Studios, University of Michigan

Lost Vatan

Written by: Neeka Salmasi
Acoustic Guitar: Neeka Salmasi
String Pads: Neeka Salmasi
Upright Bass: Jack Nissen
Oud: Ahmed M. Ragab, James Abud
Drums: Cameron Wilson
Percussion: Mirza Madra, Jeremy Redford, Neeka Salmasi
Vocals: Neeka Salmasi
Recorded by: Matthew Girard (Duderstadt Center), Zachary Greer
Vocal Editing: Nick Girard
Digital Editing: Matthew Girard
Mix: Matthew Girard
Assistant Engineer(s): Palmer Stratton, Emelia Piane, Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero
Mix Assistant: Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero, Palmer Stratton, Ayden Williams
Recorded at: Duderstadt Audio Studios, University of Michigan
Mixed at: Duderstadt Audio Studios, University of Michigan

Didn’t Run

Written by: Neeka Salmasi
Acoustic Guitar: Neeka Salmasi
Oud: James Abud
Upright Bass: Jack Nissen
Drums: Cameron Wilson
Vocals: Neeka Salmasi
Recorded by: Matthew Girard (Duderstadt Center), Zachary Greer
Digital Editing: Matthew Girard
Vocal Production: Dave Greenspan
Mix: Matthew Girard
Assistant Engineer(s): Palmer Stratton, Emelia Piane, Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero
Mix Assistant: Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero, Palmer Stratton, Ayden Williams
Recorded at: Duderstadt Audio Studios, University of Michigan
Mixed at: Duderstadt Audio Studios, University of Michigan

Getme, Getme

Written by: Neeka Salmasi
Acoustic Guitar: Neeka Salmasi
Acoustic Guitar: Zachary Greer
Upright Bass: Jack Nissen
Oud: Ahmed M. Ragab
Drums: Cameron Wilson
Percussion: Jeremy Redford, Mirza Madra
Vocals: Neeka Salmasi
Recorded by: Matthew Girard (Duderstadt Center), Zachary Greer
Vocal Editing: Nick Girard
Digital Editing: Matthew Girard
Mix: Matthew Girard
Assistant Engineer(s): Palmer Stratton, Emelia Piane, Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero
Mix Assistant: Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero, Palmer Stratton, Ayden Williams
Recorded at: Duderstadt Audio Studios, University of Michigan
Mixed at: Duderstadt Audio Studios, University of Michigan

Dancer to your Flute

Written by: Neeka Salmasi
Electric Guitar: Neeka Salmasi
Fretless Electric Bass: Jack Nissen
Moog Bass: Richard Adkins
Vocals: Neeka Salmasi
Recorded by: Matthew Girard (Duderstadt Center), Zachary Greer
Vocal Editing: Nick Girard
Digital Editing: Matthew Girard
Mix: Matthew Girard
Assistant Engineer(s): Palmer Stratton, Emelia Piane, Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero
Mix Assistant: Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero, Palmer Stratton, Ayden Williams
Recorded at: Duderstadt Audio Studios, University of Michigan
Mixed at: Duderstadt Audio Studios, University of Michigan

Hungry Man

Written by: Neeka Salmasi
Acoustic Guitar: Neeka Salmasi
Upright Bass: Jack Nissen
Guitar: Zachary Greer
Guitar: Wes Millhouse
Vocals: Neeka Salmasi
Strings: Timour Ramadan
Percussion: Jeremy Redford, Mirza Madra
Recorded by: Matthew Girard (Duderstadt Center), Zachary Greer
Vocal Editing: Nick Girard
Digital Editing: Matthew Girard
Mix: Matthew Girard
Assistant Engineer(s): Palmer Stratton, Emelia Piane, Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero
Mix Assistant: Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero, Palmer Stratton, Ayden Williams
Recorded at: Duderstadt Audio Studios, University of Michigan
Mixed at: Duderstadt Audio Studios, University of Michigan

Dam Comes Down

Written by: Neeka Salmasi
Electric Guitar: Neeka Salmasi
Additional Guitar: Zachary Greer
Electric Bass: Jack Nissen
Vocals: Neeka Salmasi
Recorded by: Matthew Girard (Duderstadt Center), Zachary Greer
Vocal Editing: Nick Girard
Digital Editing: Matthew Girard
Mix: Matthew Girard
Assistant Engineer(s): Palmer Stratton, Emelia Piane, Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero
Mix Assistant: Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero, Palmer Stratton, Ayden Williams
Recorded at: Duderstadt Audio Studios, University of Michigan
Mixed at: Duderstadt Audio Studios, University of Michigan

Undertow

Written by: Neeka Salmasi
Acoustic Guitar: Neeka Salmasi
Acoustic Piano: Kimia Rafieian
Drums: Cameron Wilson
Sound Design and Orchestration: Mel Guérison
Vocals: Neeka Salmasi
Recorded by: Matthew Girard (Duderstadt Center), Zachary Greer
Vocal Editing: Nick Girard
Digital Editing: Matthew Girard
Mix: Neeka Salmasi, Samuel Uribe-Botero, Palmer Stratton, Ayden Williams
Assistant Engineer(s): Palmer Stratton, Emelia Piane, Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero
Mix Assistant: Paul Luckhoff, Wes Millhouse, Sam Uribe-Botero
Recorded at: Duderstadt Audio Studios, University of Michigan
Mixed at: Duderstadt Audio Studios, University of Michigan

Stoking

Written by: Neeka Salmasi, Amani Will, BTCLN
Vocals: Neeka Salmasi
Vocal Editing: Nick Girard, Zachary Greer
Mix: Neeka Salmasi, Zachary Greer
Digital Editing: Zachary Greer

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